For this week's Music Friday feature, we're revisiting a 1963 pop classic in which jewelry isn't just an accessory — it's a symbol of dreams, ambition and the sometimes wide gap between fantasy and reality. In "Donna the Prima Donna," rock 'n' roll legend Dion tells the story of a lovestruck working-class boy pursuing a neighborhood girl whose aspirations reach far beyond her modest surroundings.



Donna longs for the glamorous lifestyle of high society, idolizing actress and socialite Zsa Zsa Gabor while adorning herself with charms, diamonds and pearls — even if, as Dion cleverly points out, she buys them "at the 5 and 10 cents store."

Jewelry plays a starring role in defining Donna's character. To her, sparkling accessories represent sophistication, status and the elegant life she dreams of living. But Dion gently reminds listeners that appearances can be deceiving. Despite her glamorous image, Donna remains the girl next door, and the young narrator ultimately realizes that without money to support her extravagant aspirations, "there goes our romance."

Composed by Dion and veteran songwriter Ernie Maresca, "Donna the Prima Donna" became one of Dion's signature solo hits. Released in 1963 as the title track of his album Donna the Prima Donna, the song climbed to #6 on the Billboard Hot 100 and reached #17 on Billboard's R&B chart.

Born Dion DiMucci in the Bronx, NY, the future Rock & Roll Hall of Famer developed his musical style while singing doo-wop harmonies on neighborhood street corners and subway platforms. His first professional recording came in 1957 with The Chosen Few under the name Dion and the Timberlanes before he teamed with Carlo Mastrangelo, Fred Milano and Angelo D'Aleo to form Dion and the Belmonts. Their breakthrough hit, "I Wonder Why," launched a career that would later produce enduring classics such as "Runaround Sue," "The Wanderer," "Ruby Baby" and, of course, "Donna the Prima Donna."

Now 86 and celebrating his 87th birthday later this month, Dion continues to perform for enthusiastic audiences while remaining creatively active. In recent years he has released acclaimed new music, collaborated with contemporary artists and published memoirs reflecting on his extraordinary seven-decade journey through American music. His 2026 tour includes appearances throughout the Northeast, proving that one of rock's pioneering voices is still going strong.

More than six decades after its release, "Donna the Prima Donna" continues to charm listeners with its catchy melody, witty lyrics and memorable jewelry references — reminding us that sometimes a few charms, diamonds and pearls can tell an entire story.

We hope you enjoy this clip of Dion performing “Donna the Prima Donna” at NYCB Theatre at Westbury, NY, in 2018. The lyrics are below if you'd like to sing along...

“Donna The Prima Donna”
Written by Dion DiMucci and Ernie Maresca. Performed by Dion.

Donna, Donna the Prima Donna
Donna, Donna the Prima Donna
Donna, Donna the Prima Donna
Donna, Donna the Prima Donna

Donna, Donna the Prima Donna
Donna, Donna the Prima Donna
She broke my heart.

I met a girl a month ago
I thought that she would love me so.
But by the time I realized.
She had a pair of roving eyes.

I remember the nights we dated,
Always acting sophisticated,
Talking about high society,
Then she tried to make a fool out of me.

They call her Donna, Donna the Prima Donna
Broke my heart.
Thinks she’s smart.
We’re apart.

Pretty little girl you’re just having fun
You’re running all around and breaking lover’s hearts.
Pretty little girl, I don’t stand a chance,
Without any money there goes our romance.

She always wears charms, diamonds, pearls galore,
She buys them at the 5 and 10 cents store.
She wants to be just like Zsa Zsa Gabor,
Even though she’s the girl next door.

They call her Donna, Donna the Prima Donna.
She broke my heart.
Thinks she’s smart.
We’re apart.

She broke my heart.

Pretty little girl you’re just having fun,
You’re running all around, you’re breaking lover’s hearts.
Pretty little girl, I don’t stand a chance,
Without any money there goes our romance.

She always wears charms, diamonds, pearls galore,
She buys them at the 5 and 10 cents store.
She wants to be just like Zsa Zsa Gabor,
Even though she’s the girl next door.

Donna, Donna the Prima Donna

She broke my heart.
Thinks she’s smart.

Donna, Donna the Prima Donna
Donna, Donna the Prima Donna
Donna, Donna the Prima Donna
Donna, Donna the Prima Donna



Credit: Screen capture via Youtube / Seekmage.

Most silver coins can fit comfortably in the palm of your hand. Not this one. Weighing 2,500 troy ounces and containing approximately $146,475 worth of .9999 fine silver, the newly certified Guinness World Records holder from Texas Precious Metals and Sunshine Minting transforms a familiar collectible into an engineering marvel worthy of America's Semiquincentennial celebration.



Officially unveiled during a July 1 ceremony in Austin, TX, the record-setting coin measures 18 inches in diameter, is 2.5 inches thick and features a stunning reverse-proof finish that highlights its patriotic design. The obverse displays a heraldic eagle alongside the Liberty Bell, while the reverse showcases the Statue of Liberty's torch-bearing hand above the dates "1776–2026," honoring America's Semiquincentennial. The coin is approximately the size of a large pizza and weighs as much as a front-loading washing machine.

"Setting a Guinness World Records title is an incredible achievement, but what makes this project especially meaningful is what it represents," said Tarek Saab, CEO and co-founder of Texas Precious Metals. "This coin was created to commemorate the 250th anniversary of the American Declaration of Independence, one of the defining moments in our nation's history. We are proud to have partnered with Sunshine Minting to bring this vision to life and demonstrate what can be achieved through American craftsmanship, precision and innovation."

Manufactured at Sunshine Minting's Henderson, NV, facility, the massive coin required extraordinary engineering and precision to strike 171 pounds of pure silver into a flawless legal-tender piece. Presented in a custom display case, the combined weight of the coin and its housing exceeds 200 pounds.

While the new titleholder is the world's heaviest silver coin, it is not the heaviest coin ever made.

The overall heavyweight champion remains Australia's celebrated Kangaroo One Tonne Gold Coin, produced by the Perth Mint in 2011. Crafted from 99.99% pure gold, the colossal coin tips the scales at 2,231 pounds and is valued at well over $100 million based on its gold content.

The heaviest coin intended for circulation was Sweden's famous 1644 10-daler copper plate, a massive rectangular coin that weighed approximately 43 pounds and was once used in everyday commerce.

Following its Guinness certification, the America 250 coin will be permanently housed in Shiner, TX, but collectors and history enthusiasts will have opportunities to see it in person later this year. Texas Precious Metals plans to exhibit the coin at the Governor's Cup Rodeo in Sioux Falls, SD, from September 25-27 and at the Cowboy Christmas Gift Show in Las Vegas from December 3-12.

Credit: Image via Instagram / texmetals.

Few marriage proposals can rival the breathtaking setting of Ivan Kuznetsov's engagement to Angela Nikolau. Perched atop the 1,454-foot spire of New York City's Empire State Building, the daredevil climber dropped to one knee and presented his longtime partner with a sparkling oval-cut diamond engagement ring. Just hours later, the ring would find itself in an NYPD evidence locker.



The proposal unfolded on July 1 after the couple allegedly bypassed security, hid overnight inside the iconic skyscraper and climbed its antenna (think King Kong) without safety harnesses. Before Kuznetsov asked Nikolau to marry him, the pair unfurled a banner reading, "When the power of love beats the love of power, the world knows peace." (The quote is widely attributed to guitarist Jimi Hendrix, but was actually originally spoken by British statesman William Gladstone.)



Photos shared on social media showed the newly engaged climber proudly wearing an elegant oval-cut diamond secured in a classic four-prong setting on a simple white gold band. The timeless design allowed the elongated center stone to take center stage, reflecting one of today's most popular engagement ring styles. Oval diamonds have become a favorite among modern brides because their graceful shape creates the illusion of greater size while offering exceptional brilliance.



Unfortunately for the couple, Nikolau enjoyed her new ring for only a few hours.

After descending from the skyscraper, the pair was arrested by the NYPD and charged with multiple offenses, including burglary, reckless endangerment and criminal trespass. Police confiscated the engagement ring as evidence, leaving the couple to spend their first night as an engaged pair in separate holding cells.

Nikolau and Kuznetsov were released from custody on the morning of Thursday, July 2, following their arraignment in Manhattan Criminal Court, where they were granted supervised release while the criminal case proceeds. Photographers noticed Nikolau was no longer wearing her engagement ring, and Kuznetsov later confirmed that the jewelry remained in police custody.

The couple is no stranger to gravity-defying adventures. Known internationally as professional "rooftoppers," they have built enormous social media followings by scaling some of the world's tallest skyscrapers without ropes or safety equipment. Their remarkable relationship and high-altitude exploits were chronicled in the July 2024 Netflix documentary Skywalkers: A Love Story.

This latest stunt may rank among the most extreme marriage proposals ever attempted, combining romance, risk and a message of peace — more than a quarter-mile above Manhattan.

Credits: Photos via Instagram / angela_nikolau and beerkus.

In the wake of Taylor Swift and Travis Kelce's high-profile July 3 wedding at Madison Square Garden in New York City — an event many have dubbed the "wedding of the century" — it's worth looking back at the engagement ring that reshaped the bridal jewelry landscape nearly a year earlier.



Long before the couple exchanged vows, Swift's ring had already become one of the most influential pieces of jewelry in recent memory, inspiring what many in the industry now call the "Taylor Effect." From antique-inspired settings to rare Old Mine Cut diamonds, the superstar's ring has dramatically changed what many brides-to-be are seeking when they begin shopping for their own forever ring.



Designed by New York City jeweler Kindred Lubeck of Artifex Fine Jewelry, Swift's engagement ring showcases an estimated 8-to-10-carat Old Mine Cut diamond set in 18-karat yellow gold. Jewelry experts have valued the ring at between $500,000 and $1 million.



Unlike today's precision-cut round brilliants, Old Mine Cut diamonds were fashioned entirely by hand during the 18th and 19th centuries. They typically feature a softly squarish outline, a high crown, a small table, a larger culet and chunky facets that produce a warm, romantic sparkle rather than the razor-sharp brilliance of modern cuts. Because each stone was individually crafted, no two Old Mine diamonds are exactly alike, making them especially appealing to couples looking for a ring with character, history and individuality.

Swift's choice immediately ignited interest in antique and vintage-inspired engagement rings. Jewelers reported surging demand for Old Mine Cut diamonds, along with other historic cuts such as Old European and rose cuts. Consumers also gravitated toward yellow gold settings, hand-engraved details and heirloom-inspired designs that evoke timeless romance instead of contemporary minimalism. For many buyers, antique diamonds also carry the added appeal of sustainability because they are existing gemstones rather than newly mined ones.

Swift's style influence extends well beyond the engagement ring itself. In a report released shortly after the engagement, wedding planning authority The Knot coined the phrase "Swiftification of Weddings" to describe the cultural phenomenon surrounding the couple's romance. The report projected $2.2 billion in incremental global wedding spending over two years, including $1.8 billion in the United States. Bridal jewelry alone was expected to account for an additional $350 million in spending as couples embrace vintage-inspired engagement rings, coordinating wedding bands and other personalized jewelry choices.

The Knot also predicted that Swift's influence would extend across virtually every aspect of wedding planning, from florals and fashion to photography, décor and meaningful storytelling details woven throughout the celebration.

Now that Swift and Kelce have officially tied the knot, the jewelry world has turned its attention to the couple's wedding bands. While reports indicate the newlyweds exchanged rings during the Madison Square Garden ceremony, details about those bands have not yet been made public. Once they are revealed, we will be watching closely to see whether the couple sparks yet another bridal jewelry trend.

Credits: Engagement images via Instagram / taylorswift and killatrav. Madison Square Garden photo by SWinxy, CC BY 4.0, via Wikimedia Commons.

As the United States celebrates its 250th year of independence, Belgium's famed diamond capital has marked the milestone with an extraordinary gift: a custom-made ring featuring 321 natural diamonds, created especially for US President Donald Trump by the Antwerp World Diamond Centre (AWDC).



Presented June 29 during the "America 250" celebration at Brussels' Cinquantenaire Park, the elaborate 18-karat gold ring was accepted on the president's behalf by US Ambassador to Belgium Bill White. Designed by renowned Antwerp jeweler and diamantaire David Gotlib and certified by HRD Antwerp, the one-of-a-kind creation was conceived as a tribute to the enduring trade relationship between Antwerp and the United States, the most important export market for Antwerp's natural diamonds.

Inspired by the oversized championship rings awarded to Super Bowl winners, the bold design is packed with patriotic symbolism. In addition to its 321 natural diamonds, the ring features 75 colored gemstones, an American bald eagle, a ruby shield, an emerald olive branch, raised white gold lettering spelling out "UNITED STATES OF AMERICA" against a pavé diamond background, and the numbers "45" and "47," referencing Trump's two presidencies. A diamond baguette "T" appears beside stars representing the American flag.

"The United States has been our most important trading partner for generations," said AWDC Chairman Isidore Mörsel. "With this ring, we wanted to celebrate that enduring economic relationship while also showcasing what Antwerp stands for on the world stage: trust, craftsmanship and natural diamond."

The presentation also served as an opportunity for the Antwerp diamond industry to spotlight the differences between natural and laboratory-grown diamonds. During the accompanying reception, guests watched master diamond polishers at work and had their own jewelry analyzed by HRD Antwerp to determine if the gemstones were natural.

Ambassador White expressed his appreciation both during the ceremony and afterward on X, writing: "As our nation celebrates 250 years of independence, we are honored with the Antwerp World Diamond Centre's gift of this beautiful ring that reflects the unbreakable bond between our countries. Our countries have stood the test of time together. This gift celebrates the enduring ties between the United States and Belgium that are destined to last forever."

President Trump also acknowledged the presentation in a pre-recorded video message played during the festivities.

Although AWDC did not disclose the ring's value, a handcrafted 18-karat gold ring set with 321 natural diamonds and 75 additional gemstones certainly exceeds the $480 threshold established under the U.S. Foreign Gifts and Decorations Act. As a result, the gift will likely become US government property and ultimately be transferred to the National Archives, a presidential library or another official government display, unless purchased personally at its appraised value after a presidency.

The presentation also underscored Antwerp's remarkable place in the diamond world. With a trading history stretching back nearly 600 years, the Belgian city remains one of the world's premier diamond centers, handling the majority of global rough diamond trade and serving as a symbol of craftsmanship, trust and expertise for the international jewelry industry.

Credit: Photo courtesy of Antwerp World Diamond Centre.

If you've ever visited the Smithsonian's National Museum of Natural History in Washington, DC, chances are you've admired the dazzling Hope Diamond. But just a short distance away sits another legendary gemstone that has captivated visitors for decades — the 138.72-carat Rosser Reeves Star Ruby, widely regarded as the largest and finest star ruby ever discovered.



Its rich crimson color, remarkably sharp six-rayed star and fascinating backstory have made it one of the museum's most treasured attractions.

The gem owes its name to Rosser Reeves, the legendary advertising executive behind iconic slogans such as M&M's "Melts in your mouth, not in your hand" and Wonder Bread's "Helps build strong bodies 12 ways." Reeves believed the ruby was his good-luck charm and affectionately called it "my baby," carrying the unmounted gem in a small velvet pouch wherever he traveled.

That habit nearly proved disastrous.

For years, one popular story claimed Reeves accidentally left the ruby in a New York City taxicab while rushing to catch a flight to London. Fortunately, the honest driver turned in the pouch, and the treasured gem was safely returned.

But according to former Smithsonian gem curator Jeffrey Post in his book Unearthed, another equally harrowing incident also became part of the ruby's colorful history. Reeves once left the gem on the bar at Manhattan's famed 21 Club before departing on an overseas trip. Only after landing was he able to telephone the restaurant and learn that "his baby" had been safely set aside until his return.

Post also revealed another long-standing misconception. Although Reeves often claimed he purchased the ruby at an auction in Istanbul during the 1950s, the stone had actually been acquired years earlier by London gem dealer Robert Fisher. After being recut from 140 carats to 138.72 carats to better center its star and remove surface abrasions, it was eventually sold by Fisher's son, Paul, to Reeves in 1965.

Reeves had intended to leave the gem to his granddaughter, but Smithsonian gem curator George Switzer persuaded him that millions of museum visitors would enjoy it for generations if it became part of the National Gem Collection.

"I am a salesman," Reeves later joked, "but he is a better salesman."

The ruby has been on public display ever since.

Originally mined in Sri Lanka, the Rosser Reeves Star Ruby is a spectacular example of a star ruby, a variety prized for the optical phenomenon known as asterism. Ruby itself is the red variety of the mineral corundum. During crystal formation, tiny needle-like inclusions of the mineral rutile align in three directions. When the gem is cut into a smooth, rounded cabochon, light reflecting from those microscopic needles creates the illusion of a brilliant six-rayed star gliding gracefully across the surface.

As July's official birthstone, ruby has long symbolized passion, vitality and courage. Few examples embody those qualities more dramatically than the Rosser Reeves Star Ruby — a gemstone whose remarkable beauty is rivaled only by the extraordinary stories it has inspired.

Credit: Photo by Dane A. Penland / Smithsonian and digitally enhanced by SquareMoose.

High in Austria's breathtaking Zillertal Alps sits what may be the world's most unusual tribute to a gemstone: a mountain chapel shaped exactly like a garnet crystal.



Known as the Garnet Chapel (Granatkapelle in German or Capella Granata in Italian), the striking structure rises from a rocky outcrop at an elevation of 6,847 feet (2,087 meters) near Penkenjoch in the Tyrol region. Designed by internationally acclaimed Swiss architect Mario Botta and consecrated in 2013, the chapel resembles a giant rhombic dodecahedron — the 12-faced geometric form commonly seen in naturally occurring garnet crystals.

The project was commissioned by the Brindlinger family, whose ancestors earned their livelihood mining garnets in the Zillertal Alps, where the deep reddish-brown gemstone has long been a symbol of the region's identity.



Botta reinforced the connection by sheathing the exterior in Corten steel. As the steel develops its natural patina, it echoes the warm hues of almandine garnets while blending harmoniously with the surrounding alpine landscape.

The architect envisioned the chapel as a meeting place between human ingenuity and the natural world. Its mathematically precise crystalline exterior represents human rationality emerging from the rugged mountains, while the warm larch-wood interior symbolizes comfort, spirituality and refuge.

Botta once likened the building to a nut — with a hard shell protecting a soft center. Natural light streams through an overhead glazed dome and narrow openings, creating an ever-changing play of light that enhances the chapel's peaceful atmosphere.

The design also pays tribute to a gemstone that once fueled the local economy. During the 18th and 19th centuries, miners in the Zillertal and neighboring Ötztal Alps extracted rich deposits of almandine garnets, prized for their deep crimson color and exceptional clarity. Local lapidaries fashioned the stones into brooches, pendants, rings and traditional Tyrolean jewelry that became popular throughout the Austro-Hungarian Empire and beyond. Although commercial mining eventually declined, garnet remains one of Tyrol's best-known gemstones.

Today, the Garnet Chapel has become one of Austria's most photographed examples of contemporary religious architecture. Visitors are rewarded not only with its remarkable design but also sweeping views of the Zillertal Valley, the Tux Alps and the nearby Penken reservoir, whose still waters often mirror the jewel-like structure.

Summer and early autumn offer the easiest access, with the chapel's interior generally open during the warmer months. The soft light near sunset is especially magical when the Corten steel glows against the alpine scenery. Admission is free, and reaching the chapel is easy via the Finkenberger Almbahn gondola followed by a pleasant five- to 10-minute walk.

Credits: Image (top) by SchiDD, CC BY-SA 4.0, via Wikimedia Commons. Image (bottom) by Benreis, CC BY-SA 4.0, via Wikimedia Commons.

For jewelry lovers planning a trip to Washington, DC, there's now one more reason to visit the Smithsonian's National Museum of Natural History. Just steps from the world-famous National Gem Collection, the museum has unveiled a sweeping new exhibition that celebrates America's natural treasures — including rare gemstones, precious metals, remarkable minerals and fascinating fossils from every corner of the country.



Unveiled on June 18, "From These Lands: Sharing Our Natural and Cultural Heritage" is part of the Smithsonian's nationwide "Our Shared Future: 250" initiative commemorating the United States' 250th anniversary.

The 5,000-square-foot exhibition will remain on view through December 2029, giving visitors more than three years to explore an extraordinary collection of 648 specimens and cultural objects representing all 50 states, the District of Columbia and five US territories.



Drawn from the museum's astonishing collection of more than 148 million objects, the exhibition showcases everything from dazzling minerals and ancient fossils to cultural artifacts that reveal the deep connections between people and the landscapes they call home.

Among the highlights is a brilliant blue benitoite from California, one of the world's rarest gemstones. Even more remarkable, the specimen comes from the now-exhausted deposit that produced virtually all gem-quality benitoite ever discovered.

The exhibit also features lustrous freshwater pearls from Tennessee, the state's official gem, along with spectacular twinned gold crystals from Nevada and polished smithsonite from New Mexico's famed Kelly Mine, a material once prized by jewelers for decorative cabochons.

A special case devoted to official state symbols showcases 17 different rocks, gemstones and minerals representing 11 states, while another section explores the intersection of geology and culture through carved walrus ivory from Alaska and other objects that demonstrate how natural resources have shaped regional traditions.

Fossil lovers will also find plenty to admire. One particularly eye-catching specimen is a fossilized crocodilian egg from Wyoming that, over millions of years, transformed into a sparkling quartz geode. Elsewhere, iridescent ammonites, ancient corals and sea stars remind visitors that much of what is now the United States once lay beneath ancient seas.

"This exhibition brings the entire country into one gallery — letting visitors encounter the extraordinary breadth of America's natural and cultural heritage," said Kirk Johnson, Sant Director of the National Museum of Natural History. "As the country marks its 250th anniversary, From These Lands presents an opportunity to celebrate the diversity of our landscapes, the depth of our history and the connections that link people and the natural world across borders."

Co-curator Torben Rick emphasized the exhibition's broader message: "Natural history is everything — it is the people around us, the food we eat and the ground we walk on. At its core, this exhibition is about connection."

After touring From These Lands, visitors can simply walk next door to the Janet Annenberg Hooker Hall of Geology, Gems, and Minerals to experience one of the world's greatest gem collections. There, perennial favorites, such as the legendary Hope Diamond, the spectacular Carmen Lúcia Ruby and the breathtaking Mackay Emerald Necklace, continue to captivate millions of visitors each year.

Together, the neighboring exhibitions offer an unforgettable journey through America's geological wonders and some of the world's most celebrated gemstones.

Credits: Photos by James D. Tiller, Smithsonian.

For this week’s Music Friday, we spotlight RAYE’s cheeky and chart-topping 2025 single, “Where Is My Husband!,” a brassy, retro-inspired anthem that uses a sparkling diamond engagement ring as a larger-than-life symbol of romance, commitment and the search for lasting love.



Throughout the song, the British singer-songwriter humorously laments the absence of her future husband while imagining the life they will eventually share. At the center of that fantasy is a “big and shiny diamond” engagement ring — not merely as a piece of jewelry, but as a tangible representation of her hopes, dreams and emotional investment in finding the right partner.

In the opening line, she sings, "I would like a ring, I would like a ring / I would like a diamond ring on my wedding finger / I would like a big and shiny diamond that I can wave around / And talk, and talk about it."

The ring serves multiple symbolic roles. On one level, it represents commitment and certainty — a visible promise that someone is ready to build a life together. On another, RAYE playfully leans into the ring’s status-symbol appeal, singing about a diamond she can proudly wave around.

At the same time, the ring also underscores the song’s central frustration. As RAYE jokingly asks, “Where is my husband?” the coveted diamond becomes a marker of delayed dreams and unanswered expectations. The humor, however, never masks the song’s deeper message. By the end, listeners are reminded that self-discovery and self-worth are essential ingredients in finding genuine love.

Released in September 2025, “Where Is My Husband!” became an international sensation. The single topped the charts in the UK and reached the Top 10 in numerous countries, including Australia, Canada, Germany, Ireland, New Zealand, Norway and Sweden. It also became RAYE’s highest-charting US hit, climbing to #11 on the Billboard Hot 100. The singer further boosted the song’s profile with high-profile performances on Today, The Tonight Show Starring Jimmy Fallon, The Graham Norton Show and The Jennifer Hudson Show.

The track appears on RAYE’s critically acclaimed 2026 album, This Music May Contain Hope, a collection praised for its honesty, emotional depth and genre-blending artistry. She is currently bringing her new work to audiences worldwide while serving as a special guest on Bruno Mars’ North American tour.

Born Rachel Agatha Keen in London on October 24, 1997, RAYE first earned industry respect as a sought-after songwriter, penning hits for major artists including Beyoncé, Little Mix and Ellie Goulding. After years of success behind the scenes, she emerged as a solo superstar, earning worldwide acclaim for her powerhouse vocals, fearless songwriting and record-breaking six-win sweep at the 2024 BRIT Awards.

Please check out RAYE's live performance of "Where Is My Husband" on The Jennifer Hudson Show. The lyrics are below if you'd like to sing along…

"Where Is My Husband"
Written by RAYE and Mike Sabath. Performed by RAYE.

I would like a ring, I would like a ring
I would like a diamond ring on my wedding finger
I would like a big and shiny diamond that I can wave around
And talk, and talk about it
And when the day is here, forgive me God, that I could ever doubt it
Until death, I do, I do, I do, I…

This man is testing me, uh-huh, uh-huh, uh
Help me, help me, help me, Lord

Baby, where the hell is my husband?
What is takin' him so long to find me, ee, ee?
Oh, baby, where the hell is my lover?
Getting down with another? Woo-hoo, yeah
Tell him if you see him, baby (baby), if you see him, tell him (tell him)
He should holler

Why is this beautiful man waiting for me to get old?
Why is he already testing my patience?
I only fear he taking time with other women that ain't me
While I've been reviewin' applications
Wait till I get my hands on him, I'ma tell him off too
For how long he kept me waitin', anticipatin'
Prayin' to the Lord to give him to my lovin' arms
And despite my frustrations

And he must need me (he must need me)
Completely (completely)
How my heart yearns for him
Is he far away? (Is he far away?)
Is he okay? (Is he okay?)
This man is testing me, uh-huh, uh-huh, uh
Help me, help me, help me, Lord
I need you to tell me

Baby, where the hell is my husband?
What is taking him so long to find me, ee, ee?
Oh, baby, where the hell is my lover?
Getting down with another? Woo-hoo, yeah
Tell him if you see him, baby (baby), if you see him, tell him (tell him)
He should holler

I'm doing lonely acrobatics, unzipping my dress at 2 am
And I'm tired of living like this
He must be out there getting ready, tryna fix up his tie
Uh, huh-huh, uh, hello? This where your wife is
Wait till I get your heart goin', I'ma turn it up too
For how much I'm about to love ya, no one above ya
Prayin' to the Lord to hurry, hurry you along
Baby, I intend to rush ya

And he must need me (he must need me)
Completely (completely)
How my heart yearns for him
Is he far away? (Is he far away?)
Is he okay? (Is he okay?)
This man is testing me, uh-huh, uh-huh, uh (help me)
Help me, help me, help me, Lord
I need you to tell me

Baby, where the hell is my husband?
What is taking him so long to find me, ee, ee?
Oh, baby, where the hell is my lover?
Getting down with another? Woo-hoo, yeah
Tell him if you see him, baby (baby), if you see him, tell him (tell him)
He should holler

Tuh, tuh, tuh, tuh
Tell him I'm mm, tell him I'm mm with the mm-mm-mm
Tell him I'm kind, tell him I'm five foot five
Tell him I've got brown eyes and a growing fear
That if he doesn't find me now
I'm gonna die alone, so can he
Uh, uh, uh, uh, uh (Hurry up here, sir)
Uh-uh, uh-uh-uh, uh-huh, uh-huh, uh-huh
I want it, want it, want it, want it, want it

I would like a ring, I would like a ring
I would like a diamond ring on my wedding finger
I would like a big and shiny diamond that I can wave around
And talk, and talk about it
And when the day is here, forgive me God, that I could ever doubt it
Until death, I do, I do, I do, I..

This man is testing me, uh-huh, uh-huh, uh
Help me, help me, help me, Lord
I need you to tell me

Baby, where the hell is my husband?
What is taking him so long to find me, ee, ee?
Oh, baby, where the hell is my lover?
Getting down with another? Woo-hoo, yeah
Tell him that my grandma said it, tell him grandma said it
"Your husband is coming"

I would like a ring, I would like a ring
I would like a diamond ring on my wedding finger
I would like a big and shiny
Diamond, diamond, diamond, diamond, diamond, oh, oh
Where is my husband?



Credit: Screen capture via YouTube / Jennifer Hudson Show.

A hands-on archaeology program for local students yielded an extraordinary result when 12-year-old Alon Horowitz uncovered a rare 1,500-year-old gemstone at Israel's Korazim National Park. The discovery of the ancient "Nicolo" stone is providing archaeologists with fresh clues about wealth, trade and daily life in the Galilee during Roman and Byzantine times.



The sixth-grader from Ramat Korazim Elementary School made the remarkable find while participating in a community excavation project designed to connect local students with their historical roots. The program encourages young people to take an active role in uncovering the past through guided tours, hands-on digging, lessons about daily life in ancient times and demonstrations of ancient techniques.

After three days of excavation, Horowitz struck archaeological gold just minutes before the activity was scheduled to end.



“About ten minutes before we finished, I was digging with the trowel, and suddenly I saw something blue, round, and special,” Horowitz said. “I picked it up and showed it to the archaeologist. When I understood it was something rare, I felt really happy and proud.”

Experts identified the find as a "Nicolo" gemstone, a prized variety of agate that was highly sought after during the Roman and Byzantine periods. Characterized by its striking blue coloration and layered appearance, Nicolo stones were commonly set into jewelry and signet rings worn by wealthy and influential members of society.

According to excavation director Dr. Achia Kohn-Tavor of Ariel University, the gemstone likely dates from between the 1st and 6th centuries CE and would have served as a status symbol for its owner.

“Small finds like these open a large window for us into the personal lives of the residents of ancient Korazim — not only into buildings and streets, but also into worlds of beauty, status and human connections,” Kohn-Tavor noted.

The discovery is significant because the gemstone was not sourced locally. Archaeologists believe it arrived in Korazim through long-distance trade routes, providing evidence that this ancient community was connected to a broader network of commerce stretching across the Roman and Byzantine worlds. Its presence suggests that alongside agriculture and daily village life, Korazim enjoyed access to luxury goods and international trade.

Located a few miles north of the Sea of Galilee, Korazim was a village that flourished for more than a thousand years, from the Second Temple period through the 11th century CE. Today, visitors can explore the remains of homes, ritual baths, olive presses and a magnificent ancient synagogue renowned for its intricate stone carvings.

The site is also roughly two miles north of Capernaum, the ancient fishing village that served as the central base of Jesus’ public ministry.

Credits: Photos by Hadar Quint, Israel Nature and Parks Authority.